A Raisin in the Sun Thesis Statements and Important Quotes.
The play a Raisin in the Sun is a play written by Lorraine Hansberry. This story is about an African American family living in Southside Chicago. In the story, the family goes through many difficulties particularly when it comes to cash. The Younger household resides in an overcrowded home which has very little room for all of them.
MAMA You ain’t satisfied or proud of nothing (your dad and I) done.” (Act I, scene ii) Distraught over the prospect of Ruth having an abortion, Mama is talking to Walter. Unlike his mother, Walter is mostly concerned with money: Having it, he feels, is the only way to be truly free in the world.
Assimilationism in A Raisin in the Sun The play A Raisin in the Sun demonstrates the intense opposition that white families in Clybourne Park displayed in response to the Youngers moving in to their primarily white neighborhood.The conflict of assimilationism intensifies and provides the central theme throughout the play.Assimilationism means that one race conforms to another in an effort to.
In Lorraine Hansberry’s A Raisin in the Sun, Beneatha Younger has her heart set on making something of herself. She states in Act 3, that she wants to be a doctor to help cure people like God does. When her friend, Rufus, got hurt sledding, Beneatha realized that doctors can change someone’s life completely.
Another example of pride in Lorraine Hansberrys’ A raisin in the sun is shown throughout the character of Mama. Mama was having a conversation with Walter about how money shouldn’t be your life. Then she makes a statement proving she is a person with a high sense of pride when she says “you aren’t satisfied or proud of anything we’ve done”.
The A Raisin in the Sun quotes below are all either spoken by Ruth Younger or refer to Ruth Younger. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one: ).
Hansberry’s 1959 play A Raisin in the Sun and its 1961 film adaptation (for which she also wrote the screenplay) similarly highlight various strategies of African American resistance. Simultaneously fighting overlapping systemic oppressions, the members of the Younger family refuse to defer their dreams (to reference the same Langston Hughes poem from which the play and film take their title.